{"id":945,"date":"2022-10-27T08:35:22","date_gmt":"2022-10-27T08:35:22","guid":{"rendered":"https:\/\/www.bbaa.uma.es\/master\/?page_id=945"},"modified":"2023-10-26T06:46:02","modified_gmt":"2023-10-26T06:46:02","slug":"docentes-invitados-2022-23","status":"publish","type":"page","link":"https:\/\/www.bbaa.uma.es\/master\/docentes-invitados-2022-23\/","title":{"rendered":"Docentes Invitados 2022\/23"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-87g1c1-dc832fd62226e854b4e37c52f78ed053\">\n.avia-section.av-87g1c1-dc832fd62226e854b4e37c52f78ed053 .av-parallax .av-parallax-inner{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/08\/cabecera-full-1600x350-1.jpg);\nbackground-position:50% 0%;\nbackground-attachment:scroll;\n}\n.avia-section.av-87g1c1-dc832fd62226e854b4e37c52f78ed053 .av-section-color-overlay{\nopacity:0.4;\nbackground-color:#eaeaea;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-87g1c1-dc832fd62226e854b4e37c52f78ed053 main_color avia-section-no-padding avia-no-border-styling  avia-builder-el-0  el_before_av_section  avia-builder-el-first  avia-full-contain av-parallax-section avia-bg-style-parallax av-section-color-overlay-active av-minimum-height av-minimum-height-custom av-height-custom  container_wrap sidebar_right'  data-section-bg-repeat='contain' data-av_minimum_height_px='220'><div class='av-parallax' data-avia-parallax-ratio='0.3' ><div class='av-parallax-inner main_color avia-full-contain'><\/div><\/div><div class=\"av-section-color-overlay-wrap\"><div class=\"av-section-color-overlay\"><\/div><div class='container av-section-cont-open' style='height:220px'><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-945'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l9qsxdqh-b2bb1278bf52a05b34eb869cb7baee6d\">\n#top .av-special-heading.av-l9qsxdqh-b2bb1278bf52a05b34eb869cb7baee6d{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-l9qsxdqh-b2bb1278bf52a05b34eb869cb7baee6d .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-l9qsxdqh-b2bb1278bf52a05b34eb869cb7baee6d .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-l9qsxdqh-b2bb1278bf52a05b34eb869cb7baee6d av-special-heading-h2  avia-builder-el-1  avia-builder-el-no-sibling '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Docentes Invitados 2022\/23<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div><\/div><div id='av_section_2'  class='avia-section av-7zov6h-033396bcad617dc663ba421cfbf6ab18 main_color avia-section-large avia-no-border-styling  avia-builder-el-2  el_after_av_section  el_before_av_section  avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-945'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-7tkvfd-1495119abab22bd9c447e16fb6ad15e6\">\n#top .hr.hr-invisible.av-7tkvfd-1495119abab22bd9c447e16fb6ad15e6{\nheight:50px;\n}\n<\/style>\n<div  class='hr av-7tkvfd-1495119abab22bd9c447e16fb6ad15e6 hr-invisible  avia-builder-el-3  el_before_av_one_third  avia-builder-el-first '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='flex_column av-7qxvo9-0e5dab2866e39afb663e8789460dec27 av_one_third  avia-builder-el-4  el_after_av_hr  el_before_av_two_third  first flex_column_div av-animated-generic left-to-right  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-7hd0jt-a8b4dce4a3d285eaf6cb22dcdc447834\">\n.avia-image-container.av-7hd0jt-a8b4dce4a3d285eaf6cb22dcdc447834 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-7hd0jt-a8b4dce4a3d285eaf6cb22dcdc447834 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-7hd0jt-a8b4dce4a3d285eaf6cb22dcdc447834 av-styling- avia-align-center  avia-builder-el-5  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-476 avia-img-lazy-loading-not-476 avia_image ' src=\"https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/08\/jorge-luis-marzo.jpg\" alt='' title='jorge luis marzo'  height=\"244\" width=\"253\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/08\/jorge-luis-marzo.jpg 253w, https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/08\/jorge-luis-marzo-36x36.jpg 36w\" sizes=\"(max-width: 253px) 100vw, 253px\" \/><\/div><\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-7bdjlt-e3b047933d2fbb71cdce76a4e9613f3d\">\n.flex_column.av-7bdjlt-e3b047933d2fbb71cdce76a4e9613f3d{\nborder-width:1px;\nborder-style:solid;\nborder-radius:3px 3px 3px 3px;\npadding:15px 15px 10px 25px;\n}\n<\/style>\n<div  class='flex_column av-7bdjlt-e3b047933d2fbb71cdce76a4e9613f3d av_two_third  avia-builder-el-6  el_after_av_one_third  avia-builder-el-last  flex_column_div av-animated-generic bottom-to-top  '     ><section  class='av_textblock_section av-l9qsxwh7-9dc512e19030f5442174e295e27daf86 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"background-color: transparent; color: black; font-size: 1.5em; font-weight: 200; margin-bottom: 1.1em;\"><span style=\"font-weight: 400;\">Jorge Luis Marzo<\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-77by3d-ec65000caa14f720062f150f009418c4 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Jorge Luis Marzo<\/strong>\u00a0es historiador del arte, doctor en Estudios Culturales, comisario de exposiciones, realizador audiovisual, profesor de BAU Centro Universitario de Dise\u00f1o de Barcelona y miembro del Grupo de Investigaci\u00f3n GREDITS.<\/p>\n<p>Desde 1989 ha desarrollado numerosos proyectos nacionales e internacionales de investigaci\u00f3n, en formato expositivo, audiovisual o editorial, a menudo en relaci\u00f3n a las pol\u00edticas de la imagen. Los m\u00e1s recientes (\u00faltima d\u00e9cada) son:\u00a0<em>Iconograf\u00eda post-millennial<\/em>\u00a0(Morsa, 2019);\u00a0<em>After Post-Truth<\/em>\u00a0(Artnodes, 2019);\u00a0<em>La competencia de lo falso<\/em>\u00a0(C\u00e1tedra, 2018);\u00a0<em>La d\u00e9cada de 1990. Rewind&amp;Forward. Hacia una competencia p\u00fablica del arte<\/em>\u00a0(MACBA, 2018);\u00a0<em>Espectros\u00a0<\/em>(Virreina, 2017);\u00a0<em>FAKE. No es verdad, no es mentira<\/em>\u00a0(IVAM, 2016);\u00a0<em>Interface Politics<\/em>\u00a0(BAU, 2016-2018);\u00a0<em>Valor! 10 debates sobre la construcci\u00f3n del valor en la ciudad<\/em>\u00a0(Virreina, 2016, con Joana Mas\u00f3);\u00a0<em>Arte en Espa\u00f1a (1939-2015). Ideas, pr\u00e1cticas, pol\u00edticas<\/em>\u00a0(C\u00e1tedra, 2015, con Patricia Mayayo);\u00a0<em>No es lo m\u00e1s natural. Escritos y trabajos de Octavi Comeron<\/em>\u00a0(BAU, 2014, con Joana Mas\u00f3 y Tere Badia);\u00a0<em>No tocar, por favor<\/em>\u00a0(ARTIUM, 2013);\u00a0<em>MACBA: la derecha, la izquierda y los ricos<\/em>\u00a0(SUB, 2013);\u00a0<em>Videocracia. Ficci\u00f3n y pol\u00edtica<\/em>\u00a0(RTVE, 2013, con Fito Rodr\u00edguez);\u00a0<em>El defecto barroco. Pol\u00edticas de la imagen hispana<\/em>\u00a0(CCCB, 2010; CAC de Quito, 2011, con Tere Badia);\u00a0<em>Low-Cost<\/em>(FAD, 2009, con Mery Cuesta);\u00a0<em>Spots electorales<\/em>\u00a0(Virreina, 2008, con Fito Rodr\u00edguez).<\/p>\n<p><a href=\"https:\/\/www.soymenos.net\/\">https:\/\/www.soymenos.net\/<\/a><\/p>\n<p><a href=\"https:\/\/soymenos.wordpress.com\/\">https:\/\/soymenos.wordpress.com\/<\/a><\/p>\n<p><a href=\"http:\/\/www.gredits.org\/\">http:\/\/www.gredits.org\/<\/a><\/p>\n<\/div><\/section><\/p><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_3'  class='avia-section av-6zpfdl-203f9063be4b5cb249e7efbd88263fe3 main_color avia-section-large avia-no-border-styling  avia-builder-el-9  el_after_av_section  el_before_av_section  avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-945'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-6svss9-704700581a2bd5e16d3224409263c53c av_one_third  avia-builder-el-10  el_before_av_two_third  avia-builder-el-first  first flex_column_div av-animated-generic left-to-right  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-6ofdbl-10529764838e520477943049bc5b1374\">\n.avia-image-container.av-6ofdbl-10529764838e520477943049bc5b1374 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-6ofdbl-10529764838e520477943049bc5b1374 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-6ofdbl-10529764838e520477943049bc5b1374 av-styling- avia-align-center  avia-builder-el-11  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-470 avia-img-lazy-loading-not-470 avia_image ' src=\"https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/08\/carmen-pardo.jpg\" alt='' title='carmen pardo'  height=\"359\" width=\"336\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/08\/carmen-pardo.jpg 336w, https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/08\/carmen-pardo-281x300.jpg 281w\" sizes=\"(max-width: 336px) 100vw, 336px\" \/><\/div><\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-6jyhnl-b790ca9f4edff870cc6528dcfb8502ae\">\n.flex_column.av-6jyhnl-b790ca9f4edff870cc6528dcfb8502ae{\nborder-width:1px;\nborder-style:solid;\npadding:15px 15px 10px 25px;\n}\n<\/style>\n<div  class='flex_column av-6jyhnl-b790ca9f4edff870cc6528dcfb8502ae av_two_third  avia-builder-el-12  el_after_av_one_third  avia-builder-el-last  flex_column_div av-animated-generic bottom-to-top  '     ><section  class='av_textblock_section av-6cpu61-25a89a0a6449ee9a4aafd304a0b5d9c2 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"background-color: transparent; color: black; font-size: 1.5em; font-weight: 200; margin-bottom: 1.1em;\"><span style=\"font-weight: 400;\">Carmen Pardo<\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-69sa0h-acf521e9e418e5e552f0c1a4b8572ab2 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Profesora de Historia de la M\u00fasica en la Universitat de Girona. Investigadora postdoctoral en la1 unidad IRCAM-CNRS de Par\u00eds (1996-1998), donde lleva a cabo una investigaci\u00f3n sobre el espacio sonoro en la m\u00fasica contempor\u00e1nea.<\/p>\n<p>Se hizo cargo de la edici\u00f3n y traducci\u00f3n de John Cage,\u00a0<em>Escritos al o\u00eddo\u00a0<\/em>(1999) y es autora de\u00a0<em>La escucha oblicua: una invitaci\u00f3n a John Cage<\/em>\u00a0(2001, versi\u00f3n francesa en\u00a0<em>Approche de John Cage. L\u2019\u00e9coute oblique<\/em>, 2007, galardonado en 2008 con el Coup de Coeur en Publicaciones de M\u00fasica Contempor\u00e1nea de la Academia Charles Cross);\u00a0<em>Robert Wilson<\/em>\u00a0(en colaboraci\u00f3n con Miguel Morey, 2003);\u00a0<em>Las TIC: una reflexi\u00f3n filos\u00f3fica<\/em>\u00a0(2009) y\u00a0<em>En el mar de John Cage<\/em>\u00a0(2009).<\/p>\n<p>Ha colaborado en obras colectivas, entre ellas\u00a0<em>Pr\u00e9sences de Iannis Xenakis \/ Presences of Iannis Xenakis<\/em>, (2001);\u00a0<em>Musiques, Arts, Technologies. Pour une approche critique<\/em>\u00a0(2004, versi\u00f3n inglesa en\u00a0<em>Music, Arts, Technologies. Toward a critical approach<\/em>\u00a0y versi\u00f3n castellana en\u00a0<em>M\u00fasicas, Artes, Tecnolog\u00edas. Por una aproximaci\u00f3n cr\u00edtica<\/em>);\u00a0<em>La parole sur sc\u00e8ne. Voix, texte, signifi\u00e9<\/em>\u00a0(2008);\u00a0<em>Est\u00e9tica: perspectivas contempor\u00e1neas<\/em>\u00a0(2008);\u00a0<em>Encuentros de Pamplona 1972: Fin de fiesta del arte experimental<\/em>\u00a0(2009) y\u00a0<em>Desbordamiento de Val del Omar<\/em>\u00a0(2010). Sus art\u00edculos, que toman como eje el arte contempor\u00e1neo, particularmente la m\u00fasica y el arte sonoro, se encuentran en revistas especializadas de \u00e1mbito nacional e internacional. Como traductora se ha encargado asimismo, entre otros, de la obra de Michel Chion,\u00a0<em>El arte de los sonidos fijados o la m\u00fasica concretamente<\/em>\u00a0(2001) y de Peter Szendy,\u00a0<em>Grandes \u00e9xitos. La filosof\u00eda en el jukebox<\/em>\u00a0(2009, en colaboraci\u00f3n con Miguel Morey).<\/p>\n<p>Ha organizado y coordinado diversos encuentros internacionales, como\u00a0<em>La Calle<\/em>\u00a0(Madrid, 1998) o\u00a0<em>M\u00fasicas, artes y tecnolog\u00edas: por una aproximaci\u00f3n cr\u00edtica<\/em>\u00a0(Barcelona\/Montpellier, 2000); el espect\u00e1culo art media\u00a0<em>Bosque Sonoro: Homenaje a John Cage<\/em>\u00a0(Barcelona, 2003); Ciclo\u00a0<em>John Cage; Esto llamado\u2026 m\u00fasica minimal\u2026 y otros<\/em>;\u00a0<em>M\u00fasica en la noche<\/em>;\u00a0<em>La M\u00fasica de la Arquitectura: Var\u00e8se, Xenakis, Dusapin<\/em>\u00a0(colaboraci\u00f3n en M\u00fasicadhoy\/La Casa Encendida, Madrid, 2006, 2008, 2009, 2010);\u00a0<em>Night of the Electroacoustic Music; El sonido en la cueva (Sorderas) y Sonidos del poder. Escuchas del miedo<\/em>\u00a0(en colaboraci\u00f3n con la Orquestra del Caos, Bruselas 2008 y Barcelona 2008 y 2009).<\/p>\n<p>Ha sido comisaria adjunta (secci\u00f3n m\u00fasica) de la exposici\u00f3n\u00a0<em>Encuentros de Pamplona 1972: Fin de fiesta del arte experimental<\/em>\u00a0realizada en el Museo Nacional Centro de Arte Reina Sof\u00eda y en el Museo de Navarra, la Ciudadela de Pamplona y el CIVICAN (2009- 2010).<\/p>\n<p><a href=\"https:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=121847\">https:\/\/dialnet.unirioja.es\/servlet\/autor?codigo=121847<\/a><\/p>\n<p><a href=\"https:\/\/ficciondelarazon.org\/tag\/carmen-pardo-salgado\/\">https:\/\/ficciondelarazon.org\/tag\/carmen-pardo-salgado\/<\/a><\/p>\n<\/div><\/section><\/p><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_4'  class='avia-section av-31bgnl-cad9fd077cf4a365af2e9e0623dc26f8 main_color avia-section-large avia-no-border-styling  avia-builder-el-15  el_after_av_section  el_before_av_section  avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-945'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-abnl5-41f8a898aed340948e2b916d01dec69a av_one_third  avia-builder-el-16  el_before_av_two_third  avia-builder-el-first  first flex_column_div av-animated-generic left-to-right  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2ronbd-d8b39f36408258f81b43f43691579e6f\">\n.avia-image-container.av-2ronbd-d8b39f36408258f81b43f43691579e6f img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-2ronbd-d8b39f36408258f81b43f43691579e6f .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-2ronbd-d8b39f36408258f81b43f43691579e6f av-styling- avia-align-center  avia-builder-el-17  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-441 avia-img-lazy-loading-not-441 avia_image ' src=\"https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/08\/Jorge-Fernandez-495x400.jpg\" alt='' title='Jorge Fernandez'  height=\"400\" width=\"495\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2k1kjd-0e5c19cb8534672b4f47f5a0a8673765\">\n.flex_column.av-2k1kjd-0e5c19cb8534672b4f47f5a0a8673765{\nborder-width:1px;\nborder-style:solid;\npadding:15px 15px 10px 25px;\n}\n<\/style>\n<div  class='flex_column av-2k1kjd-0e5c19cb8534672b4f47f5a0a8673765 av_two_third  avia-builder-el-18  el_after_av_one_third  avia-builder-el-last  flex_column_div av-animated-generic bottom-to-top  '     ><section  class='av_textblock_section av-2d1d29-b4a6a6aba40c0f6bcf8d1c1c4900da45 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"background-color: transparent; color: black; font-size: 1.5em; font-weight: 200; margin-bottom: 1.1em;\">Jorge Fern\u00e1ndez<\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-2623jd-42b176a84f6f261bc67e20a4294694e7 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Jorge Fern\u00e1ndez<\/strong> (La Habana, 1965) es profesor de Estudios Te\u00f3ricos en la Universidad de las Artes de Cuba desde 1999.<\/p>\n<p>Es historiador del arte, cr\u00edtico y curador. Ha impartido numerosos talleres y conferencias sobre temas relacionados con el arte contempor\u00e1neo, la arquitectura, la comunicaci\u00f3n y el desarrollo del cine y el audiovisual, invitado por numerosas universidades tanto americanas como europeas.<\/p>\n<p>Actualmente dirige el Museo Nacional de Bellas Artes de Cuba y anteriormente, se desempe\u00f1\u00f3 como Director del\u00a0Centro de Arte Contempor\u00e1neo Wifredo Lam\u00a0y de la 12\u00aa\u00a0Bienal de La Habana\u00a0(2015). Ha sido miembro del Comit\u00e9 Ejecutivo de la Fundaci\u00f3n Mundial de Bienales.<\/p>\n<\/div><\/section><\/p><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_5'  class='avia-section av-10ru4x-1e233653f4f6c1d054f43c4ceee9fe21 main_color avia-section-large avia-no-border-styling  avia-builder-el-21  el_after_av_section  el_before_av_section  avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-945'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-w4jrd-0cecb77427aacb26ce839991f557301c av_one_third  avia-builder-el-22  el_before_av_two_third  avia-builder-el-first  first flex_column_div av-animated-generic left-to-right  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l9qt79u2-7ccfdcad15fb358b16a77597e18bd501\">\n.avia-image-container.av-l9qt79u2-7ccfdcad15fb358b16a77597e18bd501 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l9qt79u2-7ccfdcad15fb358b16a77597e18bd501 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l9qt79u2-7ccfdcad15fb358b16a77597e18bd501 av-styling- avia-align-center  avia-builder-el-23  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-958 avia-img-lazy-loading-not-958 avia_image ' src=\"https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/10\/Sophie-Legros-b.jpg\" alt='' title='Sophie Legros'  height=\"400\" width=\"400\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/10\/Sophie-Legros-b.jpg 400w, https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/10\/Sophie-Legros-b-300x300.jpg 300w, https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/10\/Sophie-Legros-b-150x150.jpg 150w, https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/10\/Sophie-Legros-b-36x36.jpg 36w, https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/10\/Sophie-Legros-b-180x180.jpg 180w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/div><\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-r2g7d-3b8bd4530aa70e836fc5a2cfb43d4edb\">\n.flex_column.av-r2g7d-3b8bd4530aa70e836fc5a2cfb43d4edb{\nborder-width:1px;\nborder-style:solid;\npadding:15px 15px 10px 25px;\n}\n<\/style>\n<div  class='flex_column av-r2g7d-3b8bd4530aa70e836fc5a2cfb43d4edb av_two_third  avia-builder-el-24  el_after_av_one_third  avia-builder-el-last  flex_column_div av-animated-generic bottom-to-top  '     ><section  class='av_textblock_section av-l9qt2ica-b5f8eebbb01faada9a3b71eca7f0bf45 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"background-color: transparent; color: black; font-size: 1.5em; font-weight: 200; margin-bottom: 1.1em;\">Sophie Legros<\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-l9qt72ro-8539c2a3f6ea8f54b5c4576ca1655ef9 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Diplomada en Artes Pl\u00e1sticas, estudios secundarios superiores en la escuela Saint-Luc de Lieja. Es Licenciada por la Academia de Bellas Artes de Lieja ( Belgica). Primero y cuarto curso en la facultad de Bellas Artes de la Univesidad de Sevilla (Espa\u00f1a). Actualmente reside en Espa\u00f1a.<\/p>\n<p>Su obra ha sido expuesta en Belgica, Alemania, Francia y Espa\u00f1a.<\/p>\n<\/div><\/section><\/p><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_6'  class='avia-section av-lyogp-0358a97df216487c0ccf76a991d13519 main_color avia-section-large avia-no-border-styling  avia-builder-el-27  el_after_av_section  el_before_av_section  avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-945'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-dcaup-f49b88958731dad25aaae17fac56bb3e av_one_third  avia-builder-el-28  el_before_av_two_third  avia-builder-el-first  first flex_column_div av-animated-generic left-to-right  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-l9qt825s-d7ff2e3f3d64f19d0815907239a83ab6\">\n.avia-image-container.av-l9qt825s-d7ff2e3f3d64f19d0815907239a83ab6 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-l9qt825s-d7ff2e3f3d64f19d0815907239a83ab6 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-l9qt825s-d7ff2e3f3d64f19d0815907239a83ab6 av-styling- avia-align-center  avia-builder-el-29  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-606 avia-img-lazy-loading-not-606 avia_image ' src=\"https:\/\/www.bbaa.uma.es\/master\/wp-content\/uploads\/2022\/08\/Vpo.gif\" alt='' title='Vpo'  height=\"360\" width=\"499\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-qq5d-8b4ab43f5a2c3e1019f7c1f5dcd976c3\">\n.flex_column.av-qq5d-8b4ab43f5a2c3e1019f7c1f5dcd976c3{\nborder-width:1px;\nborder-style:solid;\npadding:15px 15px 10px 25px;\n}\n<\/style>\n<div  class='flex_column av-qq5d-8b4ab43f5a2c3e1019f7c1f5dcd976c3 av_two_third  avia-builder-el-30  el_after_av_one_third  avia-builder-el-last  flex_column_div av-animated-generic bottom-to-top  '     ><section  class='av_textblock_section av-l9qt7rkq-53cacf8dff15099df2f33f5af1bbc9df '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"background-color: transparent; color: black; font-size: 1.5em; font-weight: 200; margin-bottom: 1.1em;\">Sinead Ann Spellman<\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-l9qt8g3b-ca824f4ac8cb08501a94570a85f32d9b '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>PROXIMAMENTE ACTUALIZAREMOS ESTE PERFIL<\/p>\n<\/div><\/section><\/p><\/div><\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_7'  class='avia-section av-2545bd-ed82db4c5c8fd4cb45d7c72ca5b8838f main_color avia-section-large avia-no-border-styling  avia-builder-el-33  el_after_av_section  avia-builder-el-last  avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-945'><div class='entry-content-wrapper clearfix'><\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='after_section_7'  class='main_color av_default_container_wrap container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-945'><div class='entry-content-wrapper clearfix'><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-945","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.bbaa.uma.es\/master\/wp-json\/wp\/v2\/pages\/945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bbaa.uma.es\/master\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bbaa.uma.es\/master\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bbaa.uma.es\/master\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bbaa.uma.es\/master\/wp-json\/wp\/v2\/comments?post=945"}],"version-history":[{"count":5,"href":"https:\/\/www.bbaa.uma.es\/master\/wp-json\/wp\/v2\/pages\/945\/revisions"}],"predecessor-version":[{"id":1426,"href":"https:\/\/www.bbaa.uma.es\/master\/wp-json\/wp\/v2\/pages\/945\/revisions\/1426"}],"wp:attachment":[{"href":"https:\/\/www.bbaa.uma.es\/master\/wp-json\/wp\/v2\/media?parent=945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}